These works consist of a series of digital images, also produced in various printed formats, arising from a research process focused on the appropriation, reinterpretation, and digital transformation of external landscapes—specifically those of the German painter Brigitte Hummler (1935–2023).

With the project The Memories, I explore a personal visual language through processes that incorporate chance and arbitrariness, situated between abstraction and informalism. The Memories is, in fact, a reflection on forgetting: a working process in which I seek to transform or eliminate references in the pursuit of a purely aesthetic expression.